Produced a performance lecture and film screening by artist and filmmaker Breda Beban.
Blurring the boundary between cinema and art, the event involved the artist telling a series of interweaving stories, which suspend the difference between an individual’s actual experience and officially recorded social history.
The lecture unfolded as an articulation of the utopian vision for Eastern Europe proliferating throughout the 1980s, intersected with the reality of every-day life in the city of Belgrade.
Site Gallery, Sheffield 2001
Oversaw the development and installation of this solo exhibition by Stephanie Bolt and Max Dean.
Exploring notions of empathy and the means by which we make value judgements, Quality Control presented a room-sized robotic sculpture that relentlessly shredded family snapshots.
Photographs donated by anonymous participants were systematically sorted by a robotic system and presented, one by one, to audiences. Visitors were invited to indicate which photographs were worthy of being saved. Throughout the course of the exhibition, two piles of photographs accumulated, one shredded and another made up of intact images.
Site Gallery, Sheffield 2001