Curating Time

In response to the demands of contemporary time-based, process-oriented and performative art practice, this research seeks to develop an in-depth insight into ways that curating can shape the passage of time, and to speculate discursively on how a dramaturgical approach might assist in negotiating relationships within a group exhibition of spatiotemporal art.

University of Melbourne, Faculty of VCA and MCM, with support from an Australian Post-graduate Award Scholarship 2015 – 2018

 

 



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