Delivered a paper applying French philosopher Henri Lefebvre’s rhythmanlyasis as a tool for analysing performative exhibitions.
Using the Sydney presentation of Marina Abramovic: In Residence commissioned by Kaldor Public Art Projects as a case study, this paper examined how multiple performances overlapped. It addressed the audience experience, and how specific environmental factors arising in context of the unique harbour-side venue, worked to frame the exhibition.
Part of the international symposium, Out of Time: Temporal Slippage in Performance and the Visual Arts, University of Manchester 2016