Produced a 3D sound field recording of this performance by Tony Conrad.
Unprojectable was site-specific commission, utilising the immense space of Tate Modern’s Turbine Hall to extend an exploration of projection and duration. Billowing scrims silhouetted the performance, which involved the intermittent clang of industrial percussion mixed with a string quartet, including Conrad playing the violin with an electric drill and hand-held phonograph arm. This documentation aimed to capture the complex interplay of the work’s spatial and acoustic dynamics, through the use of sound field recording techniques.
Recorded during a live performance in Tate Modern’s Turbine Hall and distributed via Tate Online 2008